Search Tips: 1) Click "Find on This Page" button to activate page search box. 2) When searching for a name (e.g. a songwriter), enter last name only. 3) When searching for a song title on the catalog page, omit an initial "The" or "A". 4) more search tips.
Portions of this page have not yet been completed. Thank you for your patience.
(Please complete or pause one
video before starting another.)
Jane Monheit
performing
"The Eagle and Me"
with Michael Kanin (keyboard), Neal Miner (bass) and Rick Montalbano (drums)
at Quasimodo, Berlin October 26, 2010. (Monheit recorded "The Eagle and Me"
on her 2010 album, Home.) Amazon
|| iTunes
Bloomer Girl opened on Broadway as World War II was raging abroad. Perhaps as a means of acknowledging the strife of the nation abroad, the show focused on heroic themes of its present and its past at home including the Civil War, Slavery and Women's Rights. Despite these heavy issues, the show ran for over 600 performances, due in no small part to the fine Arlen/Harburg score.
The plot centers on Evalina Applegate who is made in the mold of her crusading aunt, Dolly Bloomer after whom is named the garment she invented to help women liberate themselves from Victorian restraints. Jeff Calhoun is the southern gentleman Evalina's father picks out for her and whom she refuses until he comes over to the Union side.
"The Eagle and Me," a classic freedom song, was introduced in Bloomer Girl by Dooley Wilson in the part of Pompey, a runaway slave, who surprises Jeff Calhoun, his former owner, when he emerges from a trunk at a way station of the Underground Railroad. Evalina has persuaded Calhoun to help her hide the trunk, but when Calhoun discovers what and who is in it, he is shocked and demands that Pompey explain how he could do such a thing as run away. Pompey explains by singing "The Eagle and Me."
Visit the Lyrics Lounge below to listen to the Dooley Wilson performance from Bloomer Girl from the cast album.
Harold Meyerson and Ernie Harburg in their biography of Yip Harburg comment on "The Eagle and Me as follows:
"The Eagle and Me" occupies a transitional place among what we might term the "black plight" songs of the American theater; that is at once its distinction and its limitation. There were serious ballads for black characters on the musical stage before that had dealt with the legacy of racism: "Ol' Man River" and Irving Berlin's "Supper Time" come to mind. But both "Ol' Man River" and "Supper Time" are lamentations that take the oppressed black condition as a given, as does Gershwin's Porgy and Bess. Also, [these] are works of the Twenties and Thirties. "The Eagle and Me" is a ballad of the Forties, when, for the first time, a nascent civil rights movement was beginning to direct public attention to the possibility of curtailing institutional racism. A lamentation would no longer suffice, and "The Eagle and Me" is not a song in the same vein as its predecessors. It is, rather, the first theater song of the fledgling civil rights movement (Meyerson and Harburg, p. 197, hard-bound Ed.).
View a clip of
Barbara Cook and
Keith Andes singing the Bloomer Girl songs "Evalina" and"Right as the Rain" on the Cafe Songbook page for "Right As the Rain."
Commentary on Bloomer Girl, specifically on the February 28, 1956, NBC Producer's Showcase production starring Barbara Cook and Keith Andes can be found in Rebecca Paller's article "Reexamining Bloomer Girl with Barbara Cook," on the website of the Paley Center for Media. Paller highlights the social significance of the show within the time period from when it was originally written, 1944, the year of the original Broadway production to 1956, the year of the the production cited above.
The album below includes
Lena Horne's 1988 recording of
"The Eagle and Me"
Lyrics Lounge
(This section is currently in preparation.)
Dooley Wilson and Bloomer Girl cast perform
"The Eagle and Me" -- with lyrics streamed.
Yip Harburg's biographers recount an anecdote from a 1977 Jonathan Schwartz radio show on which Stephen Sondheim states that a line from "The Eagle and Me" is his favorite "lyric line." The "line" is in fact the two lines that begin the
song's
bridge:
Ever since that day
When the world was an onion.
Sondheim says, "What it is, is a resonant line that implies a whole ethos. But it's such an exhilarating and terrific line and it just sits there and lands so perfectly. It just feels so good." (Myerson and Harbaugh, p. 199)
The complete, authoritative lyrics for "The Eagle and Me" can be found in the following works:
Reading Lyrics,
Edited and with an Introduction by Robert Gottlieb and Robert Kimball, New York: Pantheon Books, 2000.
Submit comments on songs, songwriters, performers, etc.
Feel free to suggest an addition or correction.
Please read our Comments Guidelines before making a submission. (Posting of comments is subject to the guidelines.
Not all comments will be posted.)
Borrowed material (text): The sources of all quoted and paraphrased text are cited. Such content is used under the rules of fair use to further the educational objectives of CafeSongbook.com. CafeSongbook.com makes no claims to rights of any kind in this content or the sources from which it comes.
Borrowed material (images): Images of CD, DVD, book and similar product covers are used courtesy of either Amazon.com or iTunes/LinkShare with which CafeSongbook.com maintains an affiliate status. All such images are linked to the source from which they came (i.e. either iTunes/LinkShare or Amazon.com).
Any other images that appear on CafeSongbook.com pages are either in the public domain or appear through the specific permission of their owners. Such permission will be acknowledged in this space on the page where the image is used.
For further information on Cafe Songbook policies with regard to the above matters, see our "About Cafe Songbook" page (link at top and bottom of every page).
The Cafe Songbook
Record/Video Cabinet: Selected Recordings of
"The Eagle and Me"
(All Record/Video Cabinet entries
below
include a music-video
of this page's featured song.
The year given is for when the studio
track was originally laid down
or when the live performance was given.)
Performer/Recording Index
(*indicates accompanying music-video)
Performer 1 (year)
Performer 2 (year)
Year Artist
album: title
Music-Video
Amazon
iTunes
Notes: (Please complete or pause one
video before starting another.)