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Mack Gordon

sheet music cover: "The More I See You"
Vintage sheet music for
"The More I See You"
music by Harry Warren
words by Mack Gordon
from the movie Diamond Horseshoe
1945

Basic Information

Born: Morris Gittler, June 21, 1904, Warsaw, Poland

Died: March 1, 1959 (age 54), New York City

Primary songwriting role: lyricist; also a composer

Co-writers: chiefly Harry Revel and Harry Warren; others featured on Cafe Songbook: Harold Adamson, J. Fred Coots, Sammy Fain,
Ray Henderson, Henry Nemo, Jimmy Van Heusen, Vincent Youmans, and Victor Young;
See also a database of 22 of Mack Gordon's co-writers.

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Basic Songwiter Information
Overview and Commentary
Music-Video Cabinet
Songs by This Songwriter
in the Cafe Songbook Catalog
of The Great American Songbook
Web Research Resources
Print Research Resources
Visitor Comments
Master List of Songwriters
Credits

Overview and Commentary:
Mack Gordon
(This section is currently in progress)

Overview

Having emigrated from Warsaw as a child with his parents, Mack Gordon began his show business career as a singing comic in vaudeville and minstrel shows. By 1929 he was in Hollywood writing lyrics for movie songs. He partnered with numerous composers but his two extended collaborations were with the Englishman Harry Revel during the thirties and the Italian-American Brooklynite Harry Warren starting in the forties. Of the Gordon songs included in the Cafe Songbook Catalog of The Great American Songbook(See list below.) fourteen were written with Warren and only one with Revel, making it clear that he rose to the heights of his art with the latter composer. Gordon wrote a few songs for Broadway shows, but most of his work was for Twentieth Century Fox in Hollywood. He received nine nominations for the the best original song Oscar winning it once, for "You'll Never Know," in 1943.



Gary Marmorstein
Hollywood Rhapsody: Movie Music and Its Makers, 1900-1975,
New York: Schirmer Books, 1997

Gary Marmorstein compares two of Harry Warren's writng partners, Al Dubin who wrote with Warren at Warner's until personal problems forced the lyricist out of the picture, and Gordon who was subsequently paired with Warren upon the composer's arrival at Twentieth Century Fox in 1940:

Gordon's lyrics were less propulsive than Dubin's and a touch more poetic. Where Dubin rhymed for dance, Gordon rhymed for emotional expressiveness. Dubin's words evoked the American streets, the more urban the better, where romance was sex and sex was bawdy; Gordon's words evoked a more interior and tender locale, even when actual places like Chattanooga or Kalamazoo were par of the scheme. Gordon's most characteristic lyrics--to Warren's tunes, anyway--stated a romantic or pre-romantic condition in the first line or two, then amplified that condition through the balance of the song: "I Know Why (And So Do You; You'll Never Know (How Much I Care)"; "The More I See You"; and so on. Other lyricists listened and learned. Sammy Cahn, hardly prone to praise his rivals, said, "I found the work of Mack Gordon very attractive to my ear." Of course Harry Warren's music helped make it attractive (Marmorstein, pp. 216-217).

Marmorstein also illustrates another arrow Gordon drew from his quiver to further his and Warren's fortunes at Fox. Referring to the Warren-Gordon songs mentioned above plus "I Had the Craziest Dream," he writes,

Each of these great songs had had to be auditioned for [Daryl] Zanuck [then head of Twentieth Century Fox for whose movies they were written], who considered himself a pop music expert. While Warren played piano, Gordon would sing, adding a trombone chorus with his voice. "That sonofabitch could sell me anything," Zanuck said of Gordon.


Book cover Wilfred Sheed "The House That George: Built"
Wilfred Sheed, The House That George Built: With a Little Help from Irving, Cole, and a Crew of About Fifty, New York: Random House, 2007 (paperback edition, 2008)
Wilfred Sheed, a great admirer of Harry Warren's music, is ambivalent about Gordon's words, especially their poetic qualities. Gordon, Sheed says, "offers an advanced lesson in why good song lyrics don't have to be great poetry. For a reputed Windbag, he had a wonderful ear for the regular phrases people were using that year. . . . and an even better ear for fitting them to the right notes." Still, "it wasn't literary and singers with a taste for good writing tend[ed] to shy away from Gordon's lyrics. Even songs as successful as ballads like "You'll Never Know," "At Last" and "The More I See You" have, for Sheed, employ words that are "consistently undistinguished" and "second class," and are only "saved by the music" (Sheed, p. 217).
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Cafe Songbook
Music-Video Cabinet:
Mack Gordon

Did You Ever See a Dream Walking? The Songs of Harry Revel & Mack Gordon

Twenty-Five songs of Revel and Gordon
various artists
CD 2010


Mack Gordon with three different composer-partners:
Harry Revel, Harry Warren and Josef Myrow
(All songs that are not currently included in the Cafe Songbook Catalog)

A video tribute to the songwriting team of Harry Revel and Mack Gordon -- The photo montage of the songwriters is viewed over their song. "Walking on Air" (music by Harry Revel, words by Mack Gordon) and comes from the 1931 Broadway show, Fast and Furious, played here by Anson Weeks & His Orchestra as part of a radio broadcast from the Mark Hopkins Hotel, San Francisco.
 
Peter Mintun performs "When I'm with You" (music by Harry Revel and words by Mack Gordon, 1936). Minton comments, "The most enduring song to emanate from [the movie] Poor Little Rich Girl (Shirley Temple, Jack Haley, Alice Faye, Claude Gillingwater, Gloria Stuart) was this one, which became number one (for two consecutive weeks) on Your Hit Parade in the summer of 1936."
 
  "People like You and Me" (music by Harry Warren, words by Mack Gordon) written for the movie Orchestra Wives (1942) -- featuring Marion Hutton, Ray Eberle, the Modernaires, and Tex Beneke on vocals. Actors play the musicians in the Glenn Miller Orchestra: Jackie Gleason on bass, Caesar Romero on piano, George Montgomery on solo trumpet, probably as Bobby Hacket--all dubbed by the Glenn Miller musicians.
 

An episode of The Railroad Hour (a radio show --this episode from August 15, 1949) that dramatizes the relationship between established lyricist Mack Gordon and a once novitiate composer, Josef Myrow -- with narration and performance by Gordon MacRae. Although fifteen Mack Gordon songs are included in the Cafe Songbook Catalog, there is only one, "You Make Me Feel So Young," written with Josef Myrow'

Toward the end of the show, Gordon demonstrates his talent as a singer that goes back to his early days when he was in vaudeville. He sings his own song, "It Happens Every Spring." Not bad either.

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Mack Gordon Songs
currently included in the
Cafe Songbook Catalog of
The Great American Songbook
  1. At Last
  2. Chattanooga Choo Choo
  3. I Had the Craziest Dream

  4. I Know Why (and So Do You)

  5. Mam'selle

  6. The More I See You

  7. My Heart Tells Me

  8. Stay as Sweet as You Are

  9. There Will Never Be Another You

  10. There's a Lull in My Life

  11. This Is Always

  12. Time On My Hands (and you in my arms)

  13. You Hit the Spot

  14. You Make Me Feel So Young

  15. You'll Never Know

Click here for a database of songs written or co-written by Mack Gordon.
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Research Resources:
Mack Gordon

Mack Gordon research resources on the web (listed alphabetically by web source):
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Mack Gordon research resources in print (listed chronologically):
 
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Credits

(Mack Gordon page)

 

Credits for Videomakers of videos used on this page:

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Cafe Songbook
Master List
of Great American Songbook Songwriters

Names of songwriters who have written at least one song included in the Cafe Songbook Catalog of The Great American Songbook are listed below.

 

Names of songwriters with two or more song credits in the catalog (with rare exceptions) are linked to their own Cafe Songbook pages, e.g. Fields, Dorothy.

 

Names of songwriters with only one song credit in the catalog are linked to the Cafe Songbook page for that song, on which may be found information about the songwriter or a link to an information source for him or her.

 

Please note: Cafe Songbook pages for songwriters are currently in various stages of development.

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Adams, Lee

Adams, Stanley

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Ager, Milton

Ahbez, Eden

Ahlert, Fred

Akst, Harry

Alexander, Van

Allen, Lewis

Allen, Steve

Alter, Louis

Altman, Arthur

Anderson, Maxwell

Andre, Fabian

Arlen, Harold
Arnheim, Gus

Arodin, Sid

Atwood, Hub

Astaire, Fred

Austin, Gene

Ayer, Nat D.

Barbour, Dave

Barnes, Billy

Barris, Harry

Bassman, George

Belle, Barbara

Bennett, Dave

Bergman, Alan and Marilyn

Berlin, Irving

Bernie, Ben

Bernstein, Leonard

Best, William "Pat"

Blackburn, John

Blackwell, Otis (a.k.a. John Davenport)

Blake, Eubie

Blane, Ralph

Blitzstein, Marc

Bloom, Rube

Bock, Jerry

Block, Martin

Boland, Clay

Borne, Hal

Borodin, Alexander

Bowman, Brooks

Boyd, Elisse

Brent, Earl K.

Bricusse, Leslie

Brooks, Harry

Brooks, Shelton

Brown, Les

Brown, Lew

Brown, Nacio Herb

Brown, Seymour

Burke, Joe

Burke, Johnny

Burke, Sonny

Burnett, Ernie

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Burwell, Cliff

Bushkin, Joe

 

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Cahn, Sammy

Caldwell, Anne

Campbell, Jimmy

Carey, Bill (William D.)

Carmichael, Hoagy

Carroll, Harry

Carter, Benny

Casey, Kenneth

Casucci, Leonello

Chaplin, Charlie

Chaplin, Saul

Charlap, Moose

Clare, Sidney

Chase, Newell

Churchill, Frank

Clarke, Grant

Clifford, Gordon

Clinton, Larry

Coates, Carroll

Coleman, Cy

Comden, Betty and Adolph Green

Conley, Larry

Connelly, Reginald

Conrad, Con

Cooley, Eddie

Coots, J. Fred

Cory, George

Coslow, Sam

Creamer, Henry

Crosby, Bing

Cross, Douglas

Daniels, Charles N.
Davenport, John (See Otis Blackwell.)

David, Mack

Davis, Benny

Davis, Jimmy

Dee, Sylvia

De Lange, Eddie

Denniker, Paul

Dennis, Matt

De Paul, Gene

De Rose, Peter

De Sylva, B.G. (Buddy)

DeVries, John

Dietz, Howard

Distel, Sacha

Dixon, Mort

Donaldson, Walter

Dorsey, Jimmy

Dougherty, Doc

Drake, Ervin
Drake, Milton

Dreyer, Dave

Dubin, Al

Duke, Vernon

Edens, Roger

Edwards, Michael

Egan, Raymond B.

Eliscu, Edward

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Elman, Ziggy

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L. E. Freeman

Gaines, Lee

Gallop, Sammy

Gannon, Kim

Garner, Errol

Gaskill, Clarence

Gensler, Lewis E.

George, Don

Gershwin, George

Gershwin, Ira

Gillespie, Haven

Golden, John

Goodman, Benny

Goodwin, Joe

Gordon, Irving

Gordon, Mack

Gorney, Jay

Gorrell, Stuart

Goulding, Edmund

Grainger, Porter

Grand, Murray

Grant, Ian

Gray, Chauncey

Gray, Timothy

Grever, Maria

Grey, Clifford
Green, Adolph and Betty Comden

Green, Bud

Green, Freddie

Green, Johnny

Gross, Walter

Haggart, Bob

Hamilton, Arthur

Hamilton, Nancy

Hamm, Fred

Hammerstein, Arthur

Hammerstein II, Oscar

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Handy, W. C.
Hanighen, Bernie

Hanley, James F.

Harbach, Otto

Harburg, E. Y. (Yip)

Harling, W. Franke

Harline, Leigh

Hart, Lorenz

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Herbert, Victor

Herman, Woody

Herron, Joel S.

Herzog Jr., Arthur

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Hollander, Frederick

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James, Harry

James, Paul

Jenkins, Gordon

Johnson, James P.

Johnston, Arthur

Johnston, Patricia

Jolson, Al

Jones, Isham

Kahal, Irving

Kahn, Gus

Kahn, Roger Wolfe

Kalmar, Bert

Keith, Marilyn
Kent, Walter

Kern, Jerome

Kisco, Charles

Kitchings, Irene

Koehler, Ted

Kosma, Joseph

Kramer, Alex

Kramer, Joan Whitney

Kurtz, Manny

Laine, Frankie

Lamare, Jules (a.k.a Charles N.

Daniels and Neil Moret)

Lane, Burt
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Latouche, John

Lawrence, Eddie

Lawrence, Jack

Layton, Turner

Lee, Peggy

Leigh, Carolyn

Leonard, Anita

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Leslie, Edgar

Levant, Oscar

Lewis, Morgan

Lewis, Sam M.

Link, Harry

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Livingston, Fud

Livingston, Jay

Livingston, Jerry

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Maschwitz, Eric

Mayer, Henry
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McCarthy, Joseph

McCarthy, Jr., Joseph

McHugh, Jimmy

McCoy, Joe

Mellin, Robert

Mercer, Johnny

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Meyer, Joseph

Miles, Dick

Miller, Glenn

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Moross, Jerome

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Myrow, Josef

Nemo, Henry

Newley, Anthony

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Noble, Ray

Norman, Pierre
Norton, George A.

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Overstreet, Benton W.

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Redmond, John

Rene, Leon T.

Rene, Otis

Revel, Harry

Reynolds, Ellis

Reynolds, Herbert

Rhodes, Stan

Robin, Leo

Robin, Sid

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Rome, Harold

Ronell, Ann
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